List of things.

1. Honeyblood

Heard this tune when walking past the radio at work, I only heard a few seconds and I was completely hooked. The album’s great (buy it). This track is called Choker, been listening to it a lot.

“This song is loosely based on a short story by Angela Carter called ‘The Bloody Chamber’.

Mostly, it’s about not letting anybody **** you around, even when they are trying to kill you. **** that ****.”


True to form I discovered them days after they had played Bristol. Curses.

2. Playlists/Cassettes

They don't make them like this anymore

They don’t make them like this anymore

I recently met a old and dear friend of mine, who I do not see enough of. We used to communicate with compilation tapes. So when he came over he brought a CD of stuff he was listening to. So I made one for him. I had completely forgot about he process of this, the rise and fall, does this song work well before that one, do those three tracks work well together. Listening to it over and over to see if it worked.

Does anyone do that anymore, apart from DJs. It’s a beautiful thing. We got Spotification and even iTunes before that eating that decision process up for us. I know there’s places like 8tracks still around for this, but still.

3. Facebook can be useful

I recently reposted 70/365 on my Facebook and it inspired an exchange of how it could be be transferred into film. These two classics were posted as a steer for the concept.

Fuji by Robert Breer

and Feeling My Way by Jonathan Hodgson


4. Boxers/Saints

Recently read Boxers/Saints by Gene Lueng Yang. It’s a two volume magical realist semi-history of the Boxer Rebellion in China in 1899. Each book is told from a different perspective. It’s very personal and manages to say a lot about history and what is remembered underneath the story itself which is compelling.


5. Somebody App

I’m not sure if I have mentioned this here before. Artist and writer Miranda July made a messenger app that, instead of sending a text direct to the recipient, will locate someone nearby using GPS and then gets them to pass on the message verbally. You can give instruction for emotional tone, and so on.
The actual app is here:
and there is a rather crazy short on how it can be used here:

I’m currently on Android, so you can’t try on me.

6. Sprautumn

..and I decided to put my face on all my profiles, not sure if it’ll make people relax because I’m obviously a human or give them the spooks. I call it my Bat Country Portrait.

7. I remembered Vine


Then I forgot it again.

Coxy is still on telly. Don’t miss it.

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Very Undaily 365 Sketch Project Update: 69-73

..and to add insult to injury two of these I have already posted here. But in the spirit of complete-ism and putting everything down this blog pipe, here we are.

Notebooks Zebulon (9 x 14 pocket Moleskine) and Leonidas (8 x 11 homemade pocket book) are now retired (so you can see I do continue to use them, it’s just most of the content is not suitable for posting in the internet (and I mean that in a nice way)). Ethel (13 x 21 Moleskine) is still going strong, and is what I am mainly using for writing, mapping, drawing, general ranting and work. I also have a new shiny currently un-named homemade pocket book. I’m sticking with just the two for now, as I’m currently liking seeing the consistency and flow in build up in Ethel, and I obviously need a smaller pocket book that I can be a Everyday Carry type object for emergencies.

(above from a week or so ago) Notebook Zebulon is close to the end. But there are a few corners not filled with indecipherable tiny writing.

A few items are coming to a head, at BDH one large project at work is being broadcast at the moment and the Very Large Animation job we did earlier in the year is on the brink. Also a small personal piece to be published in a new and very exiting way with other stuff that’s much better than mine. The “things planned” part are art things (as opposed to wok things) that I hope to post about here as I progress through them. That involves removing a few shackles of hesitancy on my part. Not to mention my bionically slow progress. But one can only try.

What? Oh, yes sketches, they get pushed to the back of the queue on a daily basis, then I feel bad. But I have to keep reminding myself, NOBODY CARES, so it’s ok. Might also start playing with posting them straight here and pinging them out then putting them on Instagram, instead of the other way around.

69/365. Elaboration on guitar under the desk started in 61/365. It does get played, btw. Multi-coloured biro. Notebook: Ethel

70/365 Various horizon lines drawn from the window of the 11:30 to London Paddington. Going through Bath Spa, Chippenham, Swindon, Didcot Parkway. V-ball. Notebook: Ethel.

71/365 Back-ends of various vehicles drawn during mildly epic road trip (when stationary and when it was safe to do so, obv) from Hunstanton through Peterborough, A47, M6, M5 etc. 7 hours journey time in total. See images of both #east and #west seas (taken on same day) earlier in this feed. V-ball. Notebook: Ethel.

72/365 Hot air balloon that just flew low over our town at speed. They take off from Ashton Court which is about 9 miles away so they seem to have got the pace without the altitude. We could see the shape of the flames from the burners very cleary. I have friends who have seen balloons so low over Bristol they have had conversations with the occupants. Pencil. Without looking. Notebook: Ethel

73/364 Heads of moving horses, drawn without looking. Straight to V-ball. Notebook: Ethel


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Human Universe

17aa70a6-948e-41ee-8256-e652183dcf1cAt BDH I was recently a small part of the awesomeness that was the CGI and graphics team on The new Professor Brian Cox series Human Universe.

It begins, with the first episode “Apeman-Spaceman” this evening (Tuesday 7th October) on BBC TWO.

We previously worked on the Wonders of the Universe and Wonders of Life with the same team.




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Hand & Machine


“And so maybe the way human beings combine these random snippets of information to create something new, maybe the connections we make and the way we remix the things we know and transmit them to others are what gives us the edge over the machines. Maybe our creativity is the real key to our survival. We can take that information and not just reduce it, we can make something new out of it. And the machines can’t do that. Yet.”

- Julian Simpson (@)

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West to East and Back Again, or How to Draw from the Window of a Train.

A week or so ago I travelled across England to pick up a car. So the away journey was by train and the return by car.

There’s a lot of enforced down time during a trip like that so I took a few photos made a few drawings, read a bit of Vonnegut, thought about stuff. Very enriching in all.

I liked the idea I could sample the sea on opposite coasts in one day. This was not possible on the way there as I was effectively on food and couldn’t get to Clevedon.

So my morning photo of the West that day was this one:


Morgan’s Hill

Caught the 11:05 to Paddington, with the express idea of drawing, a possibly trying to catch up on the 365 drawing thing I’ve been going. Not sure if you have tried drawing on a train, most people are too close for you to study without causing a uncomfortable situation and generally stuff is going passed so quickly outside you need a super fast photographic memory to get it in your brain before you can decide how to represent it on the page.

So I decided to go for the horizon, because that goes pass slower and if you miss a bit it doesn’t look too weird if you just join on to the contiuation.

I added the times and locations at points, also a few announcements from the guard to add some ambience.


70/365 Various horizon lines drawn from the window of the 11:30 to London Paddington. Going through Bath Spa, Chippenham, Swindon, Didcot Parkway. V-ball. Notebook: Ethel.

I got as far as Didcot Parkway on that then got the I’ll-miss-my-stop-fear, even theough the train was terminating. The connections were really tight as I got a super cheap ticket I had to make everyone.

Managed to take a picture of Yea Olde Saint Pancras as I got to Kings Cross.


Passing through the London at speed. Not even touching the sides. St. Pancras from the entrance to Kings Cross. #dontforgettolookup



View across Shaw’s Dike.

Then there I was in the East. It’s quite flat there. We picked up the car somewhere in the middle of the Fens, this is what it is like there.

Mostly sky.

I stayed over night at my folks place. There’s a lot of amazing old photos there. They should write a book.

Here is a picture of my Grandad at a Grasstrack meeting at Bourne in June 1949, less that 4 years after the end of the Second World War. Two Soldiers looking on. (Grandad’s on the left):


Picture of Grandad (on the left) with fellow rider at a grass track meet. Taken at Bourne, June 1949. Check out the two military looking fellas in the back there.

So the next day I set off as early as I could (which wasn’t that early), this time because I had wheels I could take a picture of the sea, here known as the Wash. It’s quite shallow there so the sea is often very flat compared to the ocean that crashes in on the West coast.


The Wash from near the Light House, Old Hunstanton.


Wanted to draw on the way back too. But you can’t draw when driving. That is bad. So I took breaks (7 hour drive altogether), and when I took a break I drew the backend of whatever I could see.


71/365 Back-ends of various vehicles drawn during mildly epic road trip (when stationary and when it was safe to do so, obv) from Hunstanton through Peterborough, A47, M6, M5 etc. 7 hours journey time in total. See images of both #east and #west seas (taken on same day) earlier in this feed. V-ball. Notebook: Ethel.

I got caught in a nasty jam on the M62 so didn’t get back home until late. But just in time to catch the end of the light in this picture of the opposite Sea.


West coast. Clevedon front.

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